I stand by my statement about the mixer history. And in my experience fiddling around with other DAWs, a lot of them are kind of finnicky about undoing plugin tweaks, especially on big plugins with lots of parameters. My main frame of reference is Ableton Live, which sometimes misses or forgets steps, and Studio One, which doesn't even have undo for mixer parameters. ![]() If you're talking about the overall hype about Cubase. I was just giving the guy another answer. There's a good reason why DJs and wannabes rave about ableton while musicians rave about cubase.Ĭlick to expand.There's no hype from me. No, not everybody can make music and that's a fact that will be true forever.Įverybody here claim Steinberg is slow and conservative but in the end they're just honest with their users, cubase is not a replacement of ableton or even a competitor, it never tried to compete with ableton's session and live features, nor with protools (there's Nuendo for that), to each daw his own users. We need a new crusade against this "anyone can make music" marketing hype pushed by Daw developers. Sorry, cubase is just a sequencer, an automator, but it will just automate what YOU play on it, if your melodies suck dont expect cubase to help at all, if you cant play on time dont expect quantize to fix it for you, if your whole song makes no sense dont think that a good mixing will compensate for it. Too many people expecting cubase to magically improve their songs or ideas. Ĭubase is for people playing music, not for people making jingles with loops and samples and tricks, that's what ableton is good for. sorry but they're not musicians and no Daw will help. People here that is horrified at daws limiting you to 50 or 100 tracks should seriously rethink their workflow and their skills.ĭo you really need 30 tracks just for the drums ? unless it's an orchestra, you're doing it all wrong !ĭo you need 10 layers for a mono synth bass line ? bullshit, go back and make it with 2-3 tracks and use Fx chains and Fx channels instead.Ĭlick to expand.but if someone can't even play without input transformer or arpeggiator or chord assistants. ![]() ![]() Let me state again that 24 midi or wav tracks are more than enough for all the top hits of the latest 70 years. Workflow is everything, but to reach the point where your workflow is very good you must study your Daw carefully, i see lots of people tweaking and tweaking forever, that's no good, when you compose you should have a clear idea of what you're doing, either that or you wont go far, tweaking too much only brings random results, if you dont know what you want dont expect your Daw to know better. Unlimited everything doesnt mean better outcome, it just means bad workflow. if you're so insecure during your workflow you're the problem, change workflow, for instance save different versions of your song or PSD file, i make usually 3-4 versions when i create a tune, first is a sketch, second has all the final sounds, third is fully edited, and the final is mixed, works fine for me and they're name "songname-01, songname-02, songname-FINAL). Click to expand.in photoshop's setting you can specify how many Undo levels you want, but be warned it could create HUGE files if you go overboard.Īgain let's go back at the philosophy of Software, should users be allowed unlimited Undos ? NO if this impacts too much on size and performance, and NO again if this allows users to be too much freestyle.
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